I need your help to learn
06-28-2012, 05:37 PM
#21
Super Member
Thread Starter
Join Date: Jul 2011
Location: Neuquen - Argentina
Posts: 2,288
Originally Posted by #1piecemaker
I'm real bad about shadow quilting. That is going around the outside of a block or design about a 1/2 inch from the seam line. Then in the open places I either make my own designs or use a template for a quilting design I think would be pretty or appropriate. Go with your gut. Look at it and feel of it and it will "tell" you what to do.
Many thanks for your reply!
This technique did not! Thank you for sharing your knowledge with me!
And so far... my tops... didn't I speak! I think that after these tips start to understand the concept!
I already have a guide!
A strong hug!
06-28-2012, 05:39 PM
#22
Super Member
Join Date: Jan 2011
Location: Knot Merrill, Southern Indiana
Posts: 5,781
Some quilts speak to me immediately, some take time. For the ones that I need to think about - I lay them out as flat as possible in a conspicuous place (usually my cutting table which is extra large and can be viewed easily from the doorway - and since the door is always open and the sewing room is opposite the bathroom and on the way to the bedroom - I see it several times a day just by walking by). I may look at it for days, in different lights, before I know what to do with it.
I first judge the "open space" if there is any, and decide what size of quilting is needed in that space.
I look at the overall pattern of the quilt ... does it flow in a circular pattern? Striped pattern? Or does it have distinct blocks? This can help me determine what I might use in each area of the quilt.
Are there area's that you want to stand out more? Less? How these are quilted will help determine whether the area becomes a focus or a background.
Some quilting stitches work better to bring an area to the foreground, and some work better to put an area in the background. Meandering and McTavishing are great background stitches that when worked right will make an adjoining area that does not have as much quilting in it stand out.
Picture a plain circle on a square. If you quilted the circle with a spiral and left the background un-quilted ... the circle will look like it is pulling you in to it. If you did a small meander around the circle and left the circle un-quilted - the circle will pop off the quilt like it's almost 3D.
Feathers are a bit different and even though I'd consider most of them on the "heavily quilted" end of the spectrum, they serve a different purpose because they create "direction" or "flow" - they direct the eye in a linear or circular pattern. I've seen them surrounded by heavy quilting and light quilting and they still seem to serve the same purpose - direction.
If you have a PInterest account it's a great idea to start a folder and capture pictures of quilting that show the quilting well, even if the quilting is of poor quality. Study these, collect samples of different stitches, collect samples of different stitch combinations. See how each stitch works with both the overall pieced quilt and with other stitches.
It takes time. It's part of the creative process. VanGogh experimented a lot with light and color ... your pallete is needle and thread but the process is the same. You WILL create some quilts along the way that upon a later more experienced review you will think would have been better if quilted differently. It's all part of the process.
Once of the best quotes I read recently was from a quilter who was interviewed in AQS about her award winning quilt. When asked how long it took to create the quilt she responded (and quote may not be exact but this is the drift) "It took me 15 years to develop the skill base and 1 year to make it".
Sew well said!!!!
I first judge the "open space" if there is any, and decide what size of quilting is needed in that space.
I look at the overall pattern of the quilt ... does it flow in a circular pattern? Striped pattern? Or does it have distinct blocks? This can help me determine what I might use in each area of the quilt.
Are there area's that you want to stand out more? Less? How these are quilted will help determine whether the area becomes a focus or a background.
Some quilting stitches work better to bring an area to the foreground, and some work better to put an area in the background. Meandering and McTavishing are great background stitches that when worked right will make an adjoining area that does not have as much quilting in it stand out.
Picture a plain circle on a square. If you quilted the circle with a spiral and left the background un-quilted ... the circle will look like it is pulling you in to it. If you did a small meander around the circle and left the circle un-quilted - the circle will pop off the quilt like it's almost 3D.
Feathers are a bit different and even though I'd consider most of them on the "heavily quilted" end of the spectrum, they serve a different purpose because they create "direction" or "flow" - they direct the eye in a linear or circular pattern. I've seen them surrounded by heavy quilting and light quilting and they still seem to serve the same purpose - direction.
If you have a PInterest account it's a great idea to start a folder and capture pictures of quilting that show the quilting well, even if the quilting is of poor quality. Study these, collect samples of different stitches, collect samples of different stitch combinations. See how each stitch works with both the overall pieced quilt and with other stitches.
It takes time. It's part of the creative process. VanGogh experimented a lot with light and color ... your pallete is needle and thread but the process is the same. You WILL create some quilts along the way that upon a later more experienced review you will think would have been better if quilted differently. It's all part of the process.
Once of the best quotes I read recently was from a quilter who was interviewed in AQS about her award winning quilt. When asked how long it took to create the quilt she responded (and quote may not be exact but this is the drift) "It took me 15 years to develop the skill base and 1 year to make it".
Sew well said!!!!
06-28-2012, 05:46 PM
#23
Super Member
Thread Starter
Join Date: Jul 2011
Location: Neuquen - Argentina
Posts: 2,288
Originally Posted by pollyjvan9
Both quilts are wonderful. I especially like the little quilt on the second one. For the first I think I would echo quilt around each design about 3 times and then stitch-in-the-ditch on the seam lines. If it still needs some quilting, I would do a small stipple outside the echo stitching.
I would just stitch-in-the-ditch on the second one.
You do great work for such a new quilter.
I would just stitch-in-the-ditch on the second one.
You do great work for such a new quilter.
Many thanks for your reply!
And also thank you for your sweet words to my tops and my effort to learn this beautiful hobby despite not having any guide!
Thanks for the tips that will be an invaluable guide to start my quilting in both tops! And there are still many more to finish!
I think everyone is unfinished because it didn't address the time of quilting!
It is that in every top I put much work and greater effort to ensure that each block is beautiful!
And the greatest fear is ruining them with a terrible quilting!
I hope to learn and gain the confidence you need to finish all my tops and!
A strong hug!
06-28-2012, 05:52 PM
#24
Super Member
Thread Starter
Join Date: Jul 2011
Location: Neuquen - Argentina
Posts: 2,288
Originally Posted by RDM
I agree with this suggestion, but also check out magazine websites like McCall's Quilting or Fons and Porter for quilting examples done on various types of quilts. Many magazines also show how a quilt was quilted and I find that helpful. For books I love the Fons and Porter quilting book or Quilts,Quilts,Quilts. Your quilts are lovely.
Many thanks for your reply!
And also thank you for your sweet words to my tops!
Also by Fons & Porter data (see its website to learn) and someday will try to get the books you recommend me!
My biggest drawback is that I live in another country and do not speak their language (I communicate with the translator), so some things can not understand them by more than
see many videos, or try to read notes in English. The translator helps... but isn't the same!
I hope someday, learn the language because it will help me to further connect with the Patchwork that has become my reason to live!
A strong hug!
06-28-2012, 06:05 PM
#25
Super Member
Thread Starter
Join Date: Jul 2011
Location: Neuquen - Argentina
Posts: 2,288
Originally Posted by grammatjr
I too had that issue (and still do somewhat), and heard about Quilting Makes the Quilt by Lee Cleland and It's Not a Quilt Until It is Quilted by Shirley Thompson.
Leah Day was a fantastic suggestion from someone, and I whole heartedly agree with that!
Also, read comments by some of our members (expecially Charisma), why they quilt as they do. Often the LAer will explain "I wanted to make that pop, so I did this". I have learned alot!
Good luck.
Leah Day was a fantastic suggestion from someone, and I whole heartedly agree with that!
Also, read comments by some of our members (expecially Charisma), why they quilt as they do. Often the LAer will explain "I wanted to make that pop, so I did this". I have learned alot!
Good luck.
Many thanks for your reply!
I have located his two books on Amazon to see your purchase soon! Leah Day I'm still always and admire everything you do because all can access free motion!
And Charisma is my Idol! I've seen their pads and I drooled on my keyboard!
Thanks for reminding me!
A strong hug!
06-28-2012, 06:10 PM
#26
Super Member
Thread Starter
Join Date: Jul 2011
Location: Neuquen - Argentina
Posts: 2,288
Originally Posted by burchquilts
I agree 100%. I think echo quilting would be adorable on the applique quilt (it'd make the appliques really *pop*, I think). And on the 2nd quilt (which is too cute for words... wow! I love it!), I think "realistic" quilting would really accentuate the individual items. I can't wait to see these quilted! They're both darling!
Many thanks for your reply and for your beautiful words to my tops!
They were my first two works and they are full of errors... but are sweet!
Thanks for your tips that will be a great guide to start! And for teaching me something new: the "realistic" style! I didn't know it was called so!
Today I learned a lot!
A strong hug!
06-28-2012, 06:12 PM
#27
Super Member
Thread Starter
Join Date: Jul 2011
Location: Neuquen - Argentina
Posts: 2,288
Originally Posted by lfstamper
I like small stipples around the designs to make them pop. Your quilts are very nicely done!
Many thanks for your reply and for your beautiful words to my tops!
The small stipples is something that makes my machine by itself! It would be time to learn to do it!
A strong hug!
06-28-2012, 06:26 PM
#28
Super Member
Thread Starter
Join Date: Jul 2011
Location: Neuquen - Argentina
Posts: 2,288
Originally Posted by DogHouseMom
Some quilts speak to me immediately, some take time. For the ones that I need to think about - I lay them out as flat as possible in a conspicuous place (usually my cutting table which is extra large and can be viewed easily from the doorway - and since the door is always open and the sewing room is opposite the bathroom and on the way to the bedroom - I see it several times a day just by walking by). I may look at it for days, in different lights, before I know what to do with it.
I first judge the "open space" if there is any, and decide what size of quilting is needed in that space.
I look at the overall pattern of the quilt ... does it flow in a circular pattern? Striped pattern? Or does it have distinct blocks? This can help me determine what I might use in each area of the quilt.
Are there area's that you want to stand out more? Less? How these are quilted will help determine whether the area becomes a focus or a background.
Some quilting stitches work better to bring an area to the foreground, and some work better to put an area in the background. Meandering and McTavishing are great background stitches that when worked right will make an adjoining area that does not have as much quilting in it stand out.
Picture a plain circle on a square. If you quilted the circle with a spiral and left the background un-quilted ... the circle will look like it is pulling you in to it. If you did a small meander around the circle and left the circle un-quilted - the circle will pop off the quilt like it's almost 3D.
Feathers are a bit different and even though I'd consider most of them on the "heavily quilted" end of the spectrum, they serve a different purpose because they create "direction" or "flow" - they direct the eye in a linear or circular pattern. I've seen them surrounded by heavy quilting and light quilting and they still seem to serve the same purpose - direction.
If you have a PInterest account it's a great idea to start a folder and capture pictures of quilting that show the quilting well, even if the quilting is of poor quality. Study these, collect samples of different stitches, collect samples of different stitch combinations. See how each stitch works with both the overall pieced quilt and with other stitches.
It takes time. It's part of the creative process. VanGogh experimented a lot with light and color ... your pallete is needle and thread but the process is the same. You WILL create some quilts along the way that upon a later more experienced review you will think would have been better if quilted differently. It's all part of the process.
Once of the best quotes I read recently was from a quilter who was interviewed in AQS about her award winning quilt. When asked how long it took to create the quilt she responded (and quote may not be exact but this is the drift) "It took me 15 years to develop the skill base and 1 year to make it".
Sew well said!!!!
I first judge the "open space" if there is any, and decide what size of quilting is needed in that space.
I look at the overall pattern of the quilt ... does it flow in a circular pattern? Striped pattern? Or does it have distinct blocks? This can help me determine what I might use in each area of the quilt.
Are there area's that you want to stand out more? Less? How these are quilted will help determine whether the area becomes a focus or a background.
Some quilting stitches work better to bring an area to the foreground, and some work better to put an area in the background. Meandering and McTavishing are great background stitches that when worked right will make an adjoining area that does not have as much quilting in it stand out.
Picture a plain circle on a square. If you quilted the circle with a spiral and left the background un-quilted ... the circle will look like it is pulling you in to it. If you did a small meander around the circle and left the circle un-quilted - the circle will pop off the quilt like it's almost 3D.
Feathers are a bit different and even though I'd consider most of them on the "heavily quilted" end of the spectrum, they serve a different purpose because they create "direction" or "flow" - they direct the eye in a linear or circular pattern. I've seen them surrounded by heavy quilting and light quilting and they still seem to serve the same purpose - direction.
If you have a PInterest account it's a great idea to start a folder and capture pictures of quilting that show the quilting well, even if the quilting is of poor quality. Study these, collect samples of different stitches, collect samples of different stitch combinations. See how each stitch works with both the overall pieced quilt and with other stitches.
It takes time. It's part of the creative process. VanGogh experimented a lot with light and color ... your pallete is needle and thread but the process is the same. You WILL create some quilts along the way that upon a later more experienced review you will think would have been better if quilted differently. It's all part of the process.
Once of the best quotes I read recently was from a quilter who was interviewed in AQS about her award winning quilt. When asked how long it took to create the quilt she responded (and quote may not be exact but this is the drift) "It took me 15 years to develop the skill base and 1 year to make it".
Sew well said!!!!
Thanks a lot!
By the time to give me this answer so valuable and wonderful!
Really.... I read and read their advice and you once again made me feel better!
I am very anxious and want to "everything" already! Learn how to make the tops and quilting and everything in just 3 years! I am like your phrase... "I am always on the edge"!
I understand that this is also a learning process and that one day I can do it as well as anyone!
I have an account in Pinterest and I have a folder with some quilts that have left me breathless!
Now I must learn to "read" them, to interpret them and know how could I apply each piece or style in the tops that I do.
MANY THANKS!
With all my heart!
And by the way.... If you ever travel to Argentina... I would love to take classes with you!
A strong hug!
Last edited by GV09; 06-28-2012 at 06:28 PM.
09-17-2012, 03:39 PM
#30
Senior Member
Join Date: Jun 2010
Location: Margate, FL
Posts: 955
HI Gladys,
I am the Uruguayan that is following on your blog. Don't be hard on yourself. Your work is delicate and only you see the mistakes that don't exist.
As for quilting, I have been trying on every quilt top I finish, I do some lapquilts for charity and I try what my imagination drives. I usually look for inspiration in this forum, there are superb LA like "charisma" from who I try to learn.
Just the other day I received a promotion from the web Crafty where they said they had classes for $19.90 USD but what made me think in teh process of my learning "intent" is that the clas was about "negative spaces" what I interpreted as the "backgrounds"
I guess you can go that route. Eco quilting with the shapes you have on the top one sounds attractive, you should draw the lines at the begining. What I don't like about aplique quilts that are quilted is that nobody quilts on top of the applique forms and you end up with a rare looking quilt- of course my perception of the idea. Don't take me wrong, mine is all theoretical because I haven't figure out yet the mistery of quilting.
Keep up with the good work, you are an inspiration, if I go to Bs As to visit familiy, I might pay you a visit, I know you are far south but I would love to do it!
You will find the answer, just keep the quilts desplayed so you have them in your mind and something will come to you.
Let us see what you do.
Love
andrea
I am the Uruguayan that is following on your blog. Don't be hard on yourself. Your work is delicate and only you see the mistakes that don't exist.
As for quilting, I have been trying on every quilt top I finish, I do some lapquilts for charity and I try what my imagination drives. I usually look for inspiration in this forum, there are superb LA like "charisma" from who I try to learn.
Just the other day I received a promotion from the web Crafty where they said they had classes for $19.90 USD but what made me think in teh process of my learning "intent" is that the clas was about "negative spaces" what I interpreted as the "backgrounds"
I guess you can go that route. Eco quilting with the shapes you have on the top one sounds attractive, you should draw the lines at the begining. What I don't like about aplique quilts that are quilted is that nobody quilts on top of the applique forms and you end up with a rare looking quilt- of course my perception of the idea. Don't take me wrong, mine is all theoretical because I haven't figure out yet the mistery of quilting.
Keep up with the good work, you are an inspiration, if I go to Bs As to visit familiy, I might pay you a visit, I know you are far south but I would love to do it!
You will find the answer, just keep the quilts desplayed so you have them in your mind and something will come to you.
Let us see what you do.
Love
andrea
Thread
Thread Starter
Forum
Replies
Last Post
Rhonda
Tutorials
418
04-07-2013 03:20 PM
craftybear
Links and Resources
7
04-09-2011 10:29 PM
