For a Blooming, too many solids.
But, again, it depends on what you want. If you're trying to convey the overall feeling of THAT picture to YOU, then having a perfect Blooming (where you never see the 9 patches) wouldn't be an issue.
I've done many where, either at the beginning or the end, you could see some. I probably got tired of looking. But there would be run of 4-6 fabrics where you could see a one.
But the same would be true of those solids in an OBW.
Also, scale is important. If it's too small, it reads as a solid in the Blooming, which doesn't help the blending. Too big, and you have no control over color placement.
Are those some Antique Scroll fabrics from the Lakehouse Hydrangea line? That periwinkle looks very familiar. ;-)