Ok you hue experts
#47
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Join Date: Mar 2010
Location: Sturbridge, Ma
Posts: 3,992
The list appears to me to be not so much value but scale of some of the prints. I personally would not use the very large prints, those blocks would tend to draw the eye away from the rest of the quilt. Scale is as imporant as value or Hue (color).
#48
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Join Date: Jun 2009
Location: Perth, Western Australia
Posts: 10,357
Well, there certainly is a difference when you are faced with colours (your choices are beautiful by the way). This has been a really thought provoking exercise....Holice's comments about scale is something I had not really considered, though, perhaps when we are auditioning fabric, these things are unconciously considered. I rather like mixing scale, but then I have no formal training and my stash is eclectic to say the least (when reading the "ugly fabric" posts, I almost always like them).
#49
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Join Date: Mar 2010
Location: Sturbridge, Ma
Posts: 3,992
I attended a lecture/workshop today with Sally Collins - a master of precision piecing. She spent some time explaining how she selects color. She picks a main fabric that has good color combinations in it. She doesn't use this fabric in her quilt but takes color from it.
From this piece she will select the basic colors - say 4 or 5. It is the combination of the colors that appeals to her.
And then selects a background which may be one of the colors. Then she arranges a group of values of each of the colors with fabric. Each color may have 5 or 6 values that she will use. Then she mixes them all up and resorts in light, medium and dark and then begin to cut and piece.
She does a mock up of the block first to see if she has arranged to her satisfaction.
From this piece she will select the basic colors - say 4 or 5. It is the combination of the colors that appeals to her.
And then selects a background which may be one of the colors. Then she arranges a group of values of each of the colors with fabric. Each color may have 5 or 6 values that she will use. Then she mixes them all up and resorts in light, medium and dark and then begin to cut and piece.
She does a mock up of the block first to see if she has arranged to her satisfaction.
#50
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Join Date: May 2008
Location: MN
Posts: 24,404
Jinny Beyer had a book about color -
what she suggested - choosing a focus fabric with several colors - match the colors in the fabric - then use colors to "bridge" between the "matched" colors - and then to use the "bridge" colors instead the "matched" colors in the blocks.
Made for a much more interesting quilt.
When I first started, I was really into trying to match colors "exactly" - even if it was only a flower that was 1/8 inch across that one couldn't see from five feet away and didn't even "read" in the fabric from a distance.
what she suggested - choosing a focus fabric with several colors - match the colors in the fabric - then use colors to "bridge" between the "matched" colors - and then to use the "bridge" colors instead the "matched" colors in the blocks.
Made for a much more interesting quilt.
When I first started, I was really into trying to match colors "exactly" - even if it was only a flower that was 1/8 inch across that one couldn't see from five feet away and didn't even "read" in the fabric from a distance.
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11-03-2011 12:49 PM