How to quilt around applique
#11
Super Member
Join Date: Aug 2011
Location: kansas
Posts: 6,407
I get many embroidery and appliqued quilts brought to me to quilt. I always try to stay "off" both--but do a close line of stitching around the applique, then will echo that about 1/4-1/2" out so that the applique stands out from the rest of the quilting. Wavy cross hatching does eliminate lots of marking. If you plan to do a fill (pebbles, small swirls, McTavishing, straight lines, cross hatching, stippeling, etc) around the applique, I'd suggest you either use two bats for the quilt (which might make it awkward under the needle) or just place some extra bat behind the applique ( just baste in place with edges extending into where the fill will be) and it will really pop! (faux trapunto). Very pretty quilt!
#15
#16
#17
I hadn't considered this, but maybe I will try it on my sample block. Thanks for the suggestion.
#18
I get many embroidery and appliqued quilts brought to me to quilt. I always try to stay "off" both--but do a close line of stitching around the applique, then will echo that about 1/4-1/2" out so that the applique stands out from the rest of the quilting. Wavy cross hatching does eliminate lots of marking. If you plan to do a fill (pebbles, small swirls, McTavishing, straight lines, cross hatching, stippeling, etc) around the applique, I'd suggest you either use two bats for the quilt (which might make it awkward under the needle) or just place some extra bat behind the applique ( just baste in place with edges extending into where the fill will be) and it will really pop! (faux trapunto). Very pretty quilt!
#19
Super Member
Join Date: Aug 2011
Location: kansas
Posts: 6,407
I always also do stitch-in-ditch around the applique/embroidery blocks (this also stitches down any bat you might be adding for that trapunto effect if not double batting). As far as tying in the applique to the alternating blocks, I travel in the ditch (part of the reason for SID around applique plus it makes them more defined) and then will do what ever design in the alternating blocks I've picked. Since I want to make the quilt density about equal across the quilt, if I were doing heavy fill around the applique, I would do lots of quilting on the alternate blocks. If only SID the block and then echoing 2-3 times around the applique or embroidery, I would do a more open quilting--i.e. continuous curves, orange peels, etc. Those are gentle enough curves you can also do with a walking foot (or without) on a DSM. since you are wanting that handwork to stand out (you probably spent more time on it!) you don't want your alternate blocks to steal the show. Post when you finish the quilting, please.
#20
I always also do stitch-in-ditch around the applique/embroidery blocks (this also stitches down any bat you might be adding for that trapunto effect if not double batting). As far as tying in the applique to the alternating blocks, I travel in the ditch (part of the reason for SID around applique plus it makes them more defined) and then will do what ever design in the alternating blocks I've picked. Since I want to make the quilt density about equal across the quilt, if I were doing heavy fill around the applique, I would do lots of quilting on the alternate blocks. If only SID the block and then echoing 2-3 times around the applique or embroidery, I would do a more open quilting--i.e. continuous curves, orange peels, etc. Those are gentle enough curves you can also do with a walking foot (or without) on a DSM. since you are wanting that handwork to stand out (you probably spent more time on it!) you don't want your alternate blocks to steal the show. Post when you finish the quilting, please.

